Capítulo 46

Cuando los amigos se entienden bien entre ellos, cuando los amantes se entienden bien entre ellos, cuando las familias se entienden bien entre ellas, entonces nos creemos en armonía. Engaño puro, espejo para alondras. A veces siento que entre dos que se rompen la cara a trompadas hay mucho mas entendimiento que entre los que están ahí mirando desde afuera.
Julio Cortazar - Rayuela

asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info
asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info
asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info
asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info
asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info
asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info
asylum-art:

Christoph Bader: Intricate Digital Art
on Behance, Flickr , Graphicine
Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.
The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.
Zoom Info

asylum-art:

Christoph Bader: Intricate Digital Art

on Behance, Flickr , Graphicine

Unique and eye-catching, art can come in many different variations and designs, giving us, the viewer, a wide range of unique allure. Well today we get a look at the work of German designer Christoph Bader, who created some astonishing and eye-catching pieces, which boast shapes and patterns, resulting in artwork that look anything but digital.

The collection, Limm, was done on a computer, making things even more interesting, taking on a look of elaborate and amazing, intricate string work that makes for some busy and brilliant work.

Hay noches en las que este cuarto es el único sitio en el que quiero estar. Y, sin embargo, subo aquí y me siento como una cáscara vacía.

Bukowski Charles /El capitán salió a comer y los marineros tomaron el barco/ 13/09/91 17.28 h.(fragmento)

asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info
asylum-art:

Sylvia Evers Sculptures
Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes. “
Zoom Info

asylum-art:

Sylvia Evers Sculptures

Sylvia Evers makes her ceramic sculptures, poetic, hushed performances, by using the human body, symbolic acts and animal forms. Use Her animals sometimes have human traits and people sometimes something animal thing. One by Evers often depicted animal is the deer, armed with horns or antlers just made ​​a pile of clothes for the next day, or as victims themselves thoroughly reflective of the hunt. Evers can thus display a deer, as if you’ve discovered the net itself in the deserted woods. They do the same with a human figure. Again, you get the feeling of being unobserved and vulnerable in existence. It usually white colored ceramic enhances the look of innocence and beauty of the images. Recurring themes in his work Evers vulnerability and introspection. Besides these introspective silence, she reflects on the interaction between doubt and belief. "Beauty lies before me in the human inability, close to the emotions and desires, inherent existence. Therein lies the existential struggle in which no one escapes.

asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info
asylum-art:

Mark Dorf: Emergence
Artist onTumblr, Facebook
Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.
Zoom Info

asylum-art:

Mark Dorf: Emergence

Artist onTumblr, Facebook

Mark Dorf is a New York based artist and recent graduate of Photography and Sculpture of the Savannah College of Art and Design. His most recent works examine humanity’s relationship with our fabricated digital realities and the physical landscape in which we reside through the use of both photography and sculpture. With the understanding that all art is based upon comparison and relationships, he re-contextualizes moment and symbol to create new meaning through the surrounding environment. Mark seeks to understand humanity as an observer in his surroundings, using photography as a tool to explore the curious habitation of the world around us.

El coche ya estaba incendiado en el incendio.

Podría haber pensado que era un simple accidente, pero ya me había hecho mil y una historias de lo sucedido, yo en días imaginaba como había llegado ahí aquel coche y incendiado todo el lugar, hasta una misma novela creía, o que la pasión a la locura lo había llevado al lugar, recuerdo ese día, tenia tanto, estaba sorprendido extasiado, tenia tiempo buscando algo así que me acompañara de por vida, por más que analizaba este suceso ya le había encontrado un sentido a toda esta vida, más sin embargo quería conocer el fondo del gran incendio (pasión), y esto me llevo a preguntar a la persona que había causado la catástrofe con un coche tan hermoso, en su delantera yo veía una  sonrisa que para mi era la más hermosa.. al escuchar la respuesta del conductor solo me dijo, el coche venia incendiando en el camino y sí ya era un espectáculo al andar sabía que tenia que haber terminado de una forma mágica, y resulto que ell sabia que tenia que crear algo, impresión y tragedia, tragedia para aquellos que preguntara en hecho real y solo escucharan: Era un infierno andando solo quería parar y asombrar para que nadie se acercara, sería como ver tu propia muerte frente a ti, y no querer enfrentarla y huir.. al escuchar esto las personas huían del conductor.