Es cierto, no tengo pecas en la espalda, pero si de matemáticas se trata, te invito a contarme las pestañas, a sumarme sonrisas, a restarme tristezas. Te invito a multiplicar sensaciones a dividir emociones. Ven mi cuerpo será tu ábaco.

COOS 

A veces no nos nos rompen, nos rompemos, porque somos muy cobardes y terriblemente ingenuos como para aceptar que todo es culpa nuestra, que nadie nos obliga ni nos quitan la cabeza si no nos enamoramos, que no nos llenan de balas si preferimos negarnos, que el corazón no hace caso si se trata de mandar. Pero igual siempre caemos, y para estar más jodidos y más vivos y más “cuerdos”, no creo exista manera más bonita de rompernos.

Estefanía Mitre (via soledadurbana)

Afortunados, aquellos, los que no sufren desvelos. Los que las risas ajenas no dañan sus egos. Los que escuchan el timbre de un teléfono y seguros, entienden, que la llamada no es para ellos. Los que, por las calles, caminan precavidos mas no aturdidos, no esperando que un ladrón o un perro rabioso vaya tras ellos.

Expressione di un paranoico, ALBERTO B 

asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info
asylum-art:

Torkil Gudnason: Body Vase
Agency Lookbooks | A. Galerie, Paris
Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.
His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 
Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.
Zoom Info

asylum-art:

Torkil Gudnason: Body Vase

Agency Lookbooks | A. Galerie, Paris

Torkil Gudnason’s Body Vase juxtaposes flora with human curves, eroticism with innocence, and nature with it’s inherent beauty and allure. There is a quality of mysterious fascination within these images - they are charged with a charm that accompanies temptation. The soft, intimate lighting comes from shooting exclusively with daylight – and allows the viewer into a small, private world consisting only of photographer and model.

His images have drama and a sculptural quality that brings to mind the heft and simplicity of Henry Moore or Modigliani - “I  like distortion as a sculptural effect,” he says. 

Shot over a period of nine months, Body Vase brings together two passions for Torkil – flowers and the human form. It is remarkable that these images were created in-camera, with very little retouching – lending the increased power of authenticity to these images, and leaving us wondering at the beauty that exists within this world.

La utopía está en el horizonte. Camino dos pasos, ella se aleja dos pasos y el horizonte se corre diez pasos más allá. ¿Entonces para que sirve la utopía? Para eso, sirve para caminar.

Eduardo Galeano (via mneiae)

asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info
asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info
asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info
asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info
asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info
asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info
asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art 

 PhotoMerchant | Jane Long  | Facebook

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.
Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.
Via boredpanda
Zoom Info

asylum-art:

Historic Glass-Plate Photos From Romania Restored And Turned Into Colorful Art

The recoloring of old black-and-white photos is an excellent way for modern audiences to re-visit, understand and associate with history. Jane Long, a photographer based in Australia, has taken a collection of old glass-plate images by Romanian photographer Costica Acsinte (or Axinte, depending on who you ask) and updating them by adding color and a bit of Photoshop magic.

Acsinte, who died in 1984, was a Romanian war photographer during WWI who also took photos professionally and personally after the war. In 2013, what was left of his damaged vintage glass-plate photos was digitized by the Costica Acsinte Archive to preserve it, and it is this collection that Long drew on to create her wonderful photo series.

Via boredpanda

Voy a poner mi boca en tu boca y apretaré fuerte los labios. Pondré mis dedos abiertos en tu pecho y cerrare las manos. Voy a llenarte la piel con versos, con el calor titubeante al acariciarte de mis manos. Pondré mis letras en mi lengua y susurraré a tu oído, para que las memorises muy despacio. Voy ponerte mi nombre en tu boca, para que cuando no me beses, me andes nombrando.

Yazheel YaoYoltzin - Tlatemoani (buscador)

asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info
asylum-art:

konczakowski gifs 
|Artist on Tumblr.
GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 
Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.
Zoom Info

asylum-art:

konczakowski gifs

|Artist on Tumblr.

GIFs can often feel like a visual vortex, an infinite loop of pixelated madness, sucking you closer and closer to your laptop’s screen. One artist is taking that sensation to its logical extreme, as his GIFs intentionally strive to suck viewers into a digital whirlpool, comprised of uncanny imagery such as ears, vegetables, and cat eyes. 

Polish artist Feliks Tomasz Konczakowski is a self-described “unpolished visual artist who probably comes from Mars.” His Tumblr is piled high with GIFs and images that can feel hypnotic (or nauseating), depending on how long you gaze into his Photoshopped abysses.